Interview Magazine's Rick Moody c
aught up with Blondie songstress Deborah Harry back in January for this months's edition of the publication:
Few are the performers of the '70s who accurately inhabit the word superstar in the sense that Warhol used it, a person of style and influence and panache, of inexhaustible charisma, on whom your attention falls and rarely flags. But Debbie Harry is one of those superstars. From the monster success of Parallel Lines, Blondie's breakthrough album of 1978, through the comeback period of the '90s and aughts, Harry's cultural dominance even includes her solo career as an actress of note (in David Cronenberg's Videodrome [1983] and James Mangold's Heavy [1996], among others), and role model for up-and-comers like Lady Gaga and Sky Ferreira. Harry, at age 68, has done it all, made an indisputable mark on American pop culture going on two generations, not in a way that is imperious and diva-like, but rather, in a way that is wry, self-aware, funny, and self-effacing. She performs the role of Debbie Harry in public as though Debbie Harry is a tool in her arsenal or an instrument to be tinkered with, and she seems genuinely bemused by all that has come her way, for good or ill.